Girls School? Maybe. Reform School? Definitely.

Ad agency digs have long been creative, but creative within certain well heeled parameters. Lots of modern lines and Eames inspired furnishings. It’s a refined creativity, not circus creativity. But there’s an agency in Seattle that refuses to play by those rules, or any rules regarding the business and matters of taste.
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Wexley School for Girls announces it presence in a dramatic way. Creative spaces in advertising are often hidden away in warehouse districts and up narrow elevator shafts. Not Wexley. Wexley is connected to the street in the most real sense. It appears to be one part Urban Outfitters, another part Elvis Museum. Whatever, the proper mix, it’s clearly a retail-looking establishment that begs to be noticed, gawked at and misunderstood.
Just over a year ago, a writer at the agency described Wexley’s physical presence like this:

Indeed, that’s a 9-foot-tall chainsaw-art grizzly bear. Yes, those are workable desks as part of a 9-hole putt-putt golf course. Of course every desk in the sweatshop comes with a sewing machine. Uh huh, we did turn that baby grand piano into a conference table. Don’t be dumb, it still plays. We knocked down an exterior wall and put in a garage door, that’s how the camper trailer got in there. There are 78 rubber chickens in the Chinese restaurant. Other than that, all questions can be answered with “What did you think, this is Wexley, not (insert whatever other company you want here). Duh.”

If advertising is about creating a sense of wonder around brands, the Wexley crew are master craftsmen. One can only guess how much wonder they’re spawning in the minds of the people (like Jon Fine of BusinessWeek) who happen by to walk or drive by their 5th Ave home.

About David Burn

I wrote my first ad for a local political candidate when I was 17. She went on to win her race, and I felt the power of persuasive copy for the first time. Starting in Portland in 1995, I worked my way across the country as a copywriter and eventually became a content director making media products for big packaged goods brands. I returned to Oregon in 2008, and now I focus on building brands for companies that matter, including this one.