Classic

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Adfreak points to this Design Observer post from Michael Bierut, a partner at Pentagram. Bierut laments the decision by SBC to retire Saul Bass’ iconic AT+T logo after the big merger is complete later this year.

Take a long, last look at Saul Bass’s finest moment. AT&T will live on, but its logo is about to disappear.
In 1968, Saul Bass was hired to bring order to the system, and created a classic modern identity program. In Nixon-era America, Bass’s simplified bell-in-circle logo, rigorous Helvetica-based typographic system and ochre-and-process blue color scheme became as familiar as the Coca-Cola signature. It was the ideal graphic analog for a phone system that was hailed as the best in the world, a virtually indestructable monopoly posing as a public utility: Ma Bell, utterly reliable and as ubiquitous as air.
Now, after 20 years of telecom chaos, SBC Communications, Inc., a descendent of Southwestern Bell, is taking over its former parent company: the child becomes the father to Ma, as it were. Their brand strategy lets them have their cake and eat it too. By retaining the AT&T name, they signal continuity. By replacing the Bass sphere with a “fresh, new logo,” they signal vitality and change. Who’s going to argue with that?
Graphic design, unlike architecture , leaves no footprint. When one of the best known logos in the world disappears overnight, the only hole created is in our collective consciousness. By New Year’s Eve, Saul Bass’s sphere will be no more. Will anyone mourn — or protest — its passing?

About David Burn

I wrote my first ad for a political candidate when I was 17 years old. She won her race and I felt the seductive power of advertising for the first time. Today—after working for seven agencies in five states—I am head of brand strategy and creative direction at Bonehook in Portland, Oregon.